The Handmade Silver Gelatin Emulsion Print: Creating Your Own Liquid Emulsions for Black & White Paper (Contemporary Practices in Alternative Process Photography)
Key features
- •Creating work spaces with the right tools and materials
- •Basic emulsion chemistry and paper coating techniques
- •Working with various negative options, analog and digital
- •Gaslight chloride contact printing paper
- •Kodabromide-type chlorobromide all-purpose paper
- •Bromide enlarging paper
- •Warm tone paper and developers
- •Making and toning your own printing-out paper (POP)
- •Matte surface and baryta coating surface paper
- •Paper negatives and making hand-drawn and digital masks
- •Toning handmade paper
- •Gum printing over handmade paper
- •Troubleshooting handmade paper
- •Artists working with handmade paper
BrandRoutledge
CategoryDarkroom & Processing
The Handmade Silver Gelatin Emulsion Print: Creating Your Own Liquid Emulsions for Black & White Paper (Contemporary Practices in Alternative Process Photography)
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