Until watching this DVD I was a semi-fan. After watching this a few times, I've become a major Eagles fan.

This concert from Melbourne is very well filmed, demonstrating not only the talent of these guys, but also providing a glimpse into their personalities as they interact with each other during the concert. It's a brilliant three-hour performance that includes nearly all their hits.

The only disappointment I have is that I can't seem to find just the audio so that I can also listen in my car.

Great performance as usual for the Eagles. What stands out is the quality of the audio and video on blu-ray. Recommended!

Wonderful!

Bought for a gift for family but she didn't have a blu-ray player. Buying it again in dvd.

This review is for the Blu-Ray version of the Eagles Live From Melbourne and specifically the DTS-HD Master Audio 5.1 surround track. I awaited this release with much anticipation not for new music but for the Blu-Ray audio improvement over the CD's that I own from this band. This disc did not disappoint.
As with many Blu-Ray concert discs the audio really begins to shine at higher volume. I ran 120 watts in 5.1 surround at 60% for concert effect. There are some exceptional performances on this disc that make it special in its own way over the studio versions and with 30 songs it is a no brainer buy. The picture quality is excellent with vibrant colors and lighting and editing that gives excellent close ups of the various instruments in synch with the audio. There is enough activity and varied angles that you never tire of watching as you are often placed front row, side stage or deep in the crowd.
The audio on the DTS-HD Master 5.1 is not the default and must be selected from set up and once it starts it is nothing short of phenomenal. The instruments are defined with exceptional clarity and your ears will smile with the excellent mix of vocal harmonies and the plethora of background musicians.
The Long Run kicks off the show nicely followed by New Kid In Town where the band displays a tightness that makes you question if it is a live version. Frey wails like it 30 years ago. Wasted Time follows and is one of those rare concert treats where it is so much better than the live version. Henley is out front and sings his butt off and we get a wake-up call on how truly excellent of a vocalist he is. There is a spacious use of the surrounds that puts you in the arena.
Peaceful Easy Feeling left me feeling a little flat. Here the live version departs too much from the previous arrangements and it feels like there are too many instruments playing resulting in a muddled presentation but this is rectified when I Can't Tell You Why follows with a beautiful simple approach highlighting Timothy B and Steuart Smith.
One Of These Nights is another treat as all the members are out front on guitars and the clarity of the instruments shines through reminding us that great musicians can recreate the studio sound when they play live. They do it again on The Boys of Summer and you get a feel for how much fun they are having as they jam on this tune. The harmonies are spot on with some delicious echo effect. On this song you really get an appreciation of how good a player Steuart Smith is. The crowd responds on its feet in appreciation at the end but rather than relish in the moment the band quickly launches in to In The City and Joe Walsh never sounded better on his slide guitar playing.
After a break the band has changed from suits to casual and they open up with some mellow sound and a short time in to the second half there is another special live moment when they play Love Will Keep Us Alive. The arrangement is something special accentuated by so many magical notes being played along with perfect harmonies. The crowd knows they just got served a moment.
Hole In The World did not do much for me when the studio version came out of this song written the night of 9/11 however this live version gives me a better appreciation as the troubadours from the seventies ask everyone to get along. The vocals spread out across the fronts dominate this song with good use of the rears to create the arena ambiance. The song builds to a great finish.
You Belong To The City and Life's Been Good have some awkward moments that had me going to the fridge for another refreshment and Walk Away seemed to be missing snap from the main riff that left me remembering the original.
Dirty Laundry is a pleasant surprise and everyone is playing a guitar in tight crisp precision. The guys really jam it on this one and remind us of the days of the seventies and guitar oriented bands like the Outlaws and Blue Oyster Cult. This is another song where the live version is so much better than the original and the DTS Master Audio serves it up on a silver platter.
Funk #49 has Joe Walsh playing a great bluesy intro and he delivers on the rest of the tune with the rest delivering expert back up.
So much has been written about Hotel California and it is hard to top the Hell Freezes over version. I'm not sure this version does but then again it's a bit different. The crowd knows the intro immediately and what shines about this version is the camera work and use of crowd noise to put you in the song. Henley bellows from behind the stack and Steuart delivers on the double neck as the song builds to the anticipated climax which is highlighted by the dueling guitars and a side stage shot of guitar necks doing battle.
Overall this is a fantastic concert disc both in terms of the concert experience with the varied live arrangements and the sound quality. In terms of audio it is one of, if not perhaps the best I have heard of the many I own and on par with SACD, DVD-Audio quality. Combine that with the playlist of so many songs we know by heart and at under twenty bucks this is a must own.