Key features

• •71 breathtaking new algorithms-true RSM (Real Sound Modeling) stereo and 3D effects
• •Wave-adaptive virtual Room reverb algorithms for natural reverb and delay
• •Awesome modulation, dynamic, psychoacoustic and EQ algorithms
• •Authentic amp simulation, distortion and special effects
• •11 effect combinations with selectable serial / parallel configuration
• •71 breathtaking new algorithms - true RSM (Real Sound Modeling) stereo and 3D effects
• •Wave-adaptive virtual Room reverb algorithms for natural reverb and delay
• •Awesome modulation, dynamic, psychoacoustic and EQ algorithms
• •Authentic amp simulation, distortion and special effects
• •11 effect combinations with selectable serial / parallel configuration
• •Up to 7 adjustable parameters plus 2-band EQ per effect
• •24-bit A/D and D/A converters with 64/128-times oversampling
• •True stereo processing for realistic channel separation in stereo image
• •100 factory presets plus 100 user memory locations
• •Extensive MIDI implementation
• •Accurate LED level meters for perfect level setting and optimum performance
• •Servo-balanced XLR and1/4'' TRS inputs and outputs
• •High-quality components and exceptionally rugged construction ensure long life
• •Conceived and designed by BEHRINGER Germany
• •CATHEDRAL
• •GOLD PLATE
• •SMALL HALL
• •ROOM
• •STUDIO
• •CONCERT
• •STUDIO
• •STAGE
• •SPRING REVERB
• •AMBIENCE
• •EARLY REFLECTIONS
• •REVERB - reverb is synthetically turned off after a predetermined amount of time
• •REVERSE REVERB - reverb envelope is reversed - it slowly gets louder
• •STEREO DELAY - delay is processed across the entire stereo image
• •TAPE ECHO - simulates classic tape echo devices, pre-dating the advent of digital delays
• •PING PONG - delay signal is "bounced" from left to right at an adjustable tempo
• •STEREO FLANGER (originally generated by playing back two synchronized "reel to reel" tape recorders with a finger rubbing on the flange of one of the take-up reels)
• •VINTAGE FLANGER simulates a guitar fl anger stomp box
• •JET STREAM FLANGER sounds like a classic analog flanger
• •STEREO CHORUS (combines a slightly detuned signal with the original)
• •ANALOG CHORUS simulates a guitar chorus stomp box
• •VINTAGE CHORUS imitates a classic analog studio chorus
• •ULTRA CHORUS creates the sound of an eight person chorus
• •STEREO PHASER (combines a second, phaseshifted signal to the original)
• •VINTAGE PHASER represents a guitar phaser stomp box
• •DUAL PHASER processes the left and right channels separately
• •ROTARY (simulation of the rotating speakers typically used on an organ) - Slow or Fast
• •PITCH SHIFTER (changes the pitch of the original signal) - can be used to create harmonies with the original signal or replace it entirely with the altered pitch. Choices include stereo, two and three vocal pitch shifter
• •VIBRATO - the peak frequency of the tone is periodically and uniformly changed (quickly or slowly)
• •TREMOLO (common vintage guitar amplifier effect) - a fast or slow periodic variation in volume
• •AUTO PANNING - signal is automatically sent from one side of the stereo image to the other, either once or multiple times
• •COMPRESSOR - reduces the dynamic range of the signal, maintains consistent signal level and thus avoids distortion associated with excessive input levels
• •EXPANDER - effectively broadens the dynamic range of source signals while reducing background noise
• •GATED REVERB - helps reduce background clutter by turning reverb off below a predetermined threshold level. Particularly effective on drum mics and vocals
• •ANA. KOMPR/LIM. - similar to COMPRESSOR but with Limiting functionality
• •ULTRAMIZER - analyses incoming signal and automatically applies compression across two independent frequency bands
• •DENOISER - eliminates or reduces noise and other interference
• •DE-ESSER - reduces or removes sibilance (Ssss sound) from signal
• •WAVE DESIGNER - allows you to influence the envelope by adjusting Attack and Release of the signal
• •EXCITER - adds artificially generated overtones to the original signal, increasing presence and perceived loudness without significant increase in signal level
• •ENHANCER - functions much like a dynamic pitch equalizer
• •ULTRA BASS - sub-harmonic processor combined with bass exciter and limiter
• •STEREO IMAGER - divides the signal into middle and side signals, allowing individual signals to be amplif ed when desired and placed on the stereo image
• •ULTRA WIDE - creates a broader stereo image
• •BINAURALIZER - also creates a broader stereo image and compensates for crosstalk between both speakers
• •AUTO FILTER - influences the frequency response of a signal. Two filters are included: low pass allows low frequencies to pass and suppresses high frequency content; high pass does the exact opposite
• •LFO FILTER - Controls the rate of oscillation effects
• •PARAMETRIC EQ - allows you to control the bandwidth, frequency and amplitude of a signal
• •GRAPHIC EQ - the sound spectrum is divided into eight (8) adjacent frequency bands, which can be cut or boosted, bandwidth is predetermined
• •VINYLIZER - adds clicks and/or noise to the signal, reminiscent of old vinyl records and tape machines
• •SAMPLER - allows you to record and playback up to five (5) seconds of program material
• •VOCODER - allows the input signal to modulate another signal (usually a synthesizer sound), creating the familiar "talking synthesizer" effect
• •VOICE CANCELER - removes mono vocal parts from stereo recordings for "instant Karaoke"
• •RESONATOR - simulates and oscillating system that amplifies a specific frequency
• •Chorus Reverb
• •Flanger Reverb
• •Leslie Reverb
• •Pitch Reverb
• •Delay Reverb
• •Tremolo Reverb
• •Phaser Reverb
• •Chorus Delay
• •Flanger Delay
• •Pitch Delay
• •Tremolo Delay