The MVH500AH is a light duty fluid head aimed at the travel and amateur video markets. The flat bottom fits standard photographic tripods (3/8" thread) and has a wide platform for DSLRs, making it a good choice for photographers dabbling in video production.

BUILD: The cast aluminum fittings, removable panning handle, giganormous quick release plate and excellent fit and finish make for an impressive package. Plus, installation was easy: a few spins and the MVH500AH mated to the 3/8" bolt on my Manfrotto 190. It held my Canon 80D with EF-s 18-135 3.5-5.6 IS USM perfectly and delivered silky smooth pans. Drag is fixed but resistance is ideal for pans from 10mm to 200mm on APS-C and smoother than my larger and more expensive Manfrotto MVH502AH video head.

The pan handle is comfy and provides plenty of leverage, making it easy to grip and steer. One thing I appreciate is the panning handle is not only adjustable for angle, but can be mounted on the left or right side. I'm right-handed but prefer panning with my left-hand, using my right-hand to work camera controls.

QUICK RELEASE: The 500 sports a Rapid Connect (Q5) quick release and includes a single 500PLONG plate. The 500PLONG is the long (5.5") version of the 501PL plate. It's ungainly on a DSLR and obviously designed for the long and narrow form factor of pro camcorders. However, it's designed to slide in the clamp like a rail, allowing it to be positioned for optimal balance.

Mounting the 500PLONG takes multiple steps: angle in plate from above, snap in, position for best balance and, finally, tighten the thumbscrew to lock. Tabs prevent the plate from sliding out of the clamp if you forget to lock it. To release, unscrew the lock lever and press the release tab while lifting the rig out. Not quick but secure and easy to rebalance after a lens or camera change.

I use the Arca-Swiss (AS) quick release system on my other heads. So I installed an AS compatible clamp (Sunwayfoto) on the head by mounting it on the 3/8" stud of the 500PLONG, yielding an easy to use quick release. Best of all, I can leave an AS plate on my camera and mount it on any of my heads without swapping plates. And, yes, mounting/removing the camera is faster with the AS clamp but I can still slide the 500PLONG for optimal balance.

GOTCHAS: Unlike most other Manfrotto video heads, plates for the 500 can't be slid in. Instead, they snap in from above at about a 20 degree angle. Snapping in the plate is more difficult and slower compared to sliding in, especially with larger lenses and accessories attached to the camera. However, since I use an AS compatible clamp the before mentioned is a moot point for me.

The extremes of the vertical tilt befuddle me: if I release my grip on the panning arm at the lowest or highest point of the vertical pan, the head is deflected in the opposite direction as if spring loaded. Of course I can hold the panning arm or lock it down but other positions in the pan-path hold position. I'm not sure if this is a feature or defect but my Manfrotto 128LP fluid head simply sits there instead of recoiling and doesn't need to be locked or held. If this is a feature, maybe it's supposed to keep a heavy rig from suddenly crashing to the extreme of the vertical pan?

FINAL BLURB: The 500 is a lightweight travel worthy video head and deal for shooting video with a small to medium DSLR. It's almost perfect but, if I were to grade the 500, it would earn an A-. But it nails the important things: silky smooth pans, easy to balance, is stable and has great fit and finish.

Does the job, quality build and smooth movement.

READ THIS:

Be cautious about who you order this head from. I ordered it from Ornem first and the 502 I received was obviously used and scratched up by the previous owner or maybe it was a demo/showroom model. I feel like Ornem was hoping some schmuck wouldn't have cared about the condition and I ended up receiving it. When you order something that is described as BRAND NEW, that is what you should expect and what you should receive, no questions ask. I returned it that same day and ordered it again through CaMan and the new one I received was, you guessed it, brand new.

Before I sent them my negative seller feedback, I noticed that they had a couple negative reviews in the past 30 days. So I went ahead and put together my review and it was live in about 10 minutes. NOT EVEN 15 MINUTES LATER, my review as well as the other reviews left by unhappy customers had been deleted! How is this possible? Amazon should be the only one that is capable of deleting reviews because now, Ornem has a 100% unblemished record and customers will never know about situations like mine.

THE ACTUAL REVIEW:

This head is a beast. It's a solid build and the fluid drag system will give you buttery smooth panning and tilt footage. The only concern I had going into buying this head was the fact that it's made in China. Not to say that stuff made in China is bad, I've purchased plenty of great products made in China, it's just that Manfrotto chose to have it manufactured in China vs. Italy like the majority of their products that got me thinkin.

I also ordered the 190 go tripod which is made in Italy so I was able to get a good idea of the build quality between the two. The 190 is flawless 5/5 no problem. The 502 is a 4/5, it's constructed very well but it appears they took some shortcuts on the finish. The one thing I noticed about the 502 is that as you're adjusting the fluid dials, there is this odd popping sound. My guess is it's the fluid within the head as you adjust it accordingly. Not a huge deal breaker as the head pans and tilts consistently in all directions but I am hoping that it will eventually go away. There is some play in the dials too but I was aware of that when I was doing my research on this head.

VERDICT:

In the end, I'm super stoked to have added the 502 and 190 to my setup and I highly suggest ordering either of these products if you are in the market for some sweet gear. Once again, BE AWARE OF WHO YOU ORDER THIS THROUGH.

Wow. Should leave it at that, but I'll expand.

Firstly, how I use it: For my Panasonic cinema camera (HMC150) and my Canon 7D.

It is a video head, but I'm also using it for photo, since the position can be locked. Right now, I have no reason to use any other head for photo or video.

The pan and the tilt fluid movement is adjustable and very good. It can shake a little at the start depending on the pressure selected, however. Maybe I need more practice. The removable quick disconnect plate is very well designed and has the install screw plus another notch to prevent the camera from moving laterally (to shear away from position). All has very good fit and finish. For just under 200 dollars, it is all I need (I considered the larger heads, but I'm satisfied with this one). It is more than enough to handle the weight of my Canon 7D and all my lenses (I have not tried it with the BIGMA, 18 to 500 sigma, but due to how it is mounted, I don't expect issues). The big advantage for me is the flat bottom which connects to my regular photo Vanguard tripod. I did not want a 100 mm 1/2 ball because I would have had to invest in a new tripod bringing my cost up.

The handle that comes with it helps me move the head smoothly the great great majority of the time. As with any mechanical device, you learn how to correct for little quirks if you find them.

In the end, I suggest if you're excited about the little I said above, try it. I do believe this is a well designed superior product that works at a reasonable price that suggests quality.

January 2018: Still great, still use it. I realize now that the ball bottom would have been better, but didn't want to have to buy the additional ball (female) that attaches to the tripod legs.

Don't regret it a bit, I just know how to manage it.

Quality kit